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Evoking mythography and ancestry, Ashwini Ramaswamy’s Let the Crows Come uses the metaphor of crows as messengers for the living and guides for the departed. In a series of solos/trios, the Indian dance form Bharatanatyam is deconstructed and recontextualized with collaborators Alanna Morris and Berit Ahlgren, who infuse the work with their traditions of Modern and African Diasporic dance and the Gaga movement of dance from Israel. It is danced to four live musicians playing an original Carnatic score with live vocals and an accompanying composition by the renowned DJ/rupture.
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