{"id":235616,"date":"2019-01-16T11:27:44","date_gmt":"2019-01-16T19:27:44","guid":{"rendered":"https:\/\/www.santamonica.com\/?post_type=tribe_events&p=235616"},"modified":"2019-01-16T11:27:44","modified_gmt":"2019-01-16T19:27:44","slug":"maj-hasager-iterations","status":"publish","type":"tribe_events","link":"https:\/\/www.santamonica.com\/fr_fr\/event\/maj-hasager-iterations\/2019-02-23\/","title":{"rendered":"Maj Hasager | Visiting Artist Residency and Exhibition | Iterations"},"content":{"rendered":"

Maj Hasager |Iterations\u00a0<\/strong>Atrium Gallery<\/strong>
\nVisiting Artist Residency and Exhibition<\/strong>
\nFebruary 23 \u2013 April 5
\nExhibition Reception<\/strong>
\nSaturday February 23 | 5-8 PM
\nFor a free ticket, RSVP ici<\/a>.
\nDanish visiting artist Maj Hasager presents Iterations, a project based on the Pico neighborhood of Santa Monica, where she is immersed for six months as an artist in residence at 18th Street Arts Center. Iterations continues Hasager\u2019s interest in investigating the archive-as-process, as well as looking at the area\u2019s multifaceted history, including forced relocations and exile. By drawing on the contents of 18th Street\u2019s locally-based Culture Mapping 90404, Hasager collects local stories as an alternative to official archives, in the form of interviews, digitalization of private images, and field recordings (audio and video). Her multifaceted installation will consist of video, sound compositions, text and photography.
\nFor a free ticket, RSVP ici<\/a>.
\nALSO ON VIEW<\/strong>
\nAlso on February 23, Los Angeles-based artist and Artist Lab Resident Clarissa Tossin will present a new body of work in the Main Gallery titled 21st Century Wisdom: Healing Frank Lloyd Wright\u2019s Textile Block Houses centered on her ongoing research into US collections of pre-Columbian artifacts, and their relationship to appropriated pre-Columbian artifacts and motifs. More information about her project here.
\nOPEN STUDIOS<\/strong>
\nResident artists will also be opening their studios at this event, including visiting Danish artists Jeannette Ehlers, Nikolaj Recke, and Marie Markman. Local artist residents including Marcus Kuiland-Nazario, Debra Disman, Jeff Beall, Luciana Abait, Arzu Arda Kosar, Post Mango Studio, David McDonald, and Yvette Gellis will also be showing new work in their studios.
\nFor a free ticket, RSVP ici<\/a>.
\nABOUT THE ARTISTS<\/strong>
\nMaj Hasager is a Danish artist based in Copenhagen, Denmark. Her work deals with power structures, identity, memory, architecture, and the construction of history, looking at how these interlinked phenomena are interpreted and represented culturally and spatially. Her artistic approach is research based and she works predominantly with text, sound, video, and photography. Hasager uses oral history interview techniques as a method for accumulating and creating narratives that address personal stories in a sociopolitical context. Maj Hasager\u2019s residency is generously funded by the Danish Arts Council.
\nClarissa Tossin is a visual artist who uses installation, video, performance, sculpture, and photography to negotiate hybridization of cultures and the persistence of difference. By embracing semantic displacements in given material cultural ecosystems, Tossin\u2019s work reflects on circulation from the level of the body to the global industry. Tossin\u2019s work has been featured at the 2014 Made in L.A. at the Hammer Museum, in Los Angeles; the Museum of Contemporary Art Detroit; the Queens Museum, in New York; the Museum of Latin American Art, in Long Beach; SITE Santa Fe Biennial; the Wattis Institute, in San Francisco; Wesleyan University\u2019s Zilkha Gallery, in Connecticut; Kunsthalle Mulhouse, France; Skulpturenmuseum, Glaskasten Marl, Germany; Center for Contemporary Art, Tel Aviv; SESC Pomp\u00e9ia, S\u00e3o Paulo, Brazil; Funda\u00e7\u00e3o Iber\u00ea Camargo, Porto Alegre, Brazil; among others. Tossin is the recipient of a Fellows of Contemporary Art Awards (2019); Los Angeles Artadia Awards (2018); Fellowship for Visual Artists from the California Community Foundation (2014); and an Artistic Innovation Grant from the Center for Cultural Innovation (2012). She received a M.F.A. from the California Institute of Arts.
\nJeannette Ehlers is a video, photo and performance artist based in Copenhagen, Denmark. Experimental imagery characterizes her multidisciplinary work, and for years she has created artworks that engage with resistance towards coloniality. On these changeable terms, meaning and identity are explored, in both a sophisticated and immediate way. Ehlers\u2019s performative and cinematic universes delve into ethnicity and identity inspired by her own Danish and Caribbean background. Her pieces revolve around big questions and difficult issues, such as Denmark\u2019s role as a slave nation\u2014a part of the Danish cultural heritage\u2013which often gets overlooked in the general historiography. Ehlers\u2019 residency is generously supported by the Danish Arts Council.
\nNikolaj Recke is an artist based in Denmark whose practice has been called \u201cemotional conceptualism,\u201d and his re-enactments of land art and art history have characterized his work from the beginning. Recke invests his subjectivity (as an artist and a person) in the encounters with the works\u2013not to return to narcissistic self-reflection\u2013but to open these works to the levels of emotional experience that they have traditionally been dissociated from, and expand their intellectual and formal horizons even further with aesthetics involving self-irony, wit, politics, consciousness, and a romantic sense of beauty. Lately, Recke tries to expand the concepts of land art to engage with the artistic migration of material, places, and stories. Recke\u2019s residency is generously supported by the Danish Arts Council.
\nMarie Markman is a Danish artist that works with art projects combining dynamics of art and urban planning. Markman\u2019s artistic interest primarily merges perspectives like native approaches towards landscape, and industrial farming and activist methods. Since 2011, Markman has artistically challenged questions about beauty\/aesthetics in new types of landscapes and in new contexts. In 2017, she founded The Exploratory Research Laboratory \/ TERL, a place for subtle yet radical landscape experiments, and functions primarily as a meeting point between artists, researchers, farmers, laymen, and different kinds of professionals. TERL builds on curiosity and the vision of future collaborations all across the Atlantic. All of Markman\u2019s recent work flows backwards from really basic impulses revolving around questions like, \u201cHow do I want to live?\u201d and \u201cWhat kind of future do I want to pass on to the next generations?\u201d Her work merges research, landscape, and art, revealing theoretical, practical, and professional challenges within urban development. Markman\u2019s residency is generously supported by the Danish Arts Council.
\nHeader image: Maj Hasager, Splitting Fields, 2018. Photographic print. Courtesy of the artist.<\/p>","protected":false},"excerpt":{"rendered":"

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